I consider every component of a dulcimer to be integral to the instrument’s sound, playability, beauty and structural integrity.
The choice of wood, the thickness of the top, back and sides, bracing and other structural elements are unique to each dulcimer I build. I adjust each component as the dulcimer is constructed to bring them into harmony.
Though every part is integral to the final result I consider the fretboard to be the heart of the dulcimer. The fretboard transmits the music within the musician to the body of the dulcimer.
The fretboard is the primary soundboard brace. It also acts as a bridge and transfers the vibrations of the strings from every fret directly to the soundboard. By altering the material, weight, and mass of the fretboard I can adjust volume, tone and sustain.
The choice of wood for the fretboard is as critical as the choice of wood for the soundboard. The fretboard needs to be resonant, stable and strong enough to carry the tension of the strings.
I treat the hollowing-out of the fretboard, the carving of the strum-hollow and the shape of the tail-end of the fretboard in a similar manner to shaping the internal braces, thicknessing the sides and graduating the top and back.
This process takes time but it brings me great joy.